The four parts are known (lowest to highest) as bass, baritone, lead,Īnd tenor. Musical style, the name 'tenor' is used for the highest part. Individuals will generally be classified based on their most resonant Tenor begins with a lift around middle C or C# and ends with a lift at F Recognized that the average transitional area, or passaggio, of the Tone quality, vocal lift points, and transition points Tenor is ultimately classified by several vocal traits, including range, The primary characteristic which defines a tenor, it is not the only. OrchestraĬhoruses require tenors with fully resonant voices, but chamber or aĬappella style choral music can quite successfully rely on light The style of music most often performed by a given choir.

The requirements of the tenor voice in choral music is also tied to Require the first tenors to ascend the full tenor range, the majority ofĬhoral music places the tenors in the range from approximately B2 up to The range of the choral tenor is generally Indeed, evenĪs late as the seventeenth century, partbooks labelled 'tenor' mightĬontain parts for a range of voice types.Ĭhoral music, the tenor is the second lowest voice, above the bass andīelow the soprano and alto. Indicated the part's role, and not the required voice type.

Thus, for earlier repertoire, a line marked 'tenor' It was also in theġ5th century that 'tenor' came to signify the male voice that Of the contratenor bassus, the tenor was usually the lowest voice,Īssuming the role of providing a harmonic foundation. The tenor, which often proceeded in longer note values and carried aīorrowed Cantus firmus melody. All other voices were normally calculated in relation to Structurally fundamental (or ‘holding’) voice, vocal or Renaissance polyphony between about 12, the tenor was the Warmups, exercises and vocalises for tenor voices

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